Despliegue metafórico de la crónica-retrato y su incidencia en la formación de ingenieros

Abstract

The present work is a study of language in the novel Paradiso, (1966) by José Lezama Lima - Chapter IX - of an exploratory and descriptive nature, semi-quantitative nature, and from a linguistic-lexical point of view. Its objective is to recognize the typology and dimensions of the chronicle-portrait applied in the recognition of "The one who played Apollo". The definition of these aspects and their extension in the disciplines and subjects of the Metallurgy and Materials Engineering career, gave pragmatic aspects to the object of study which facilitated the articulation of the interdisciplinary approach, to the study of the personality of Julio Antonio Mella, which contributed to the integral formation of engineers in terms of knowledge of their institution, the beauty of the literary text, the reinforcement of the functions of language as a means of communication and culture. For this purpose, the following theoretical methods were used: analysis-synthesis, historical logic, induction deduction and practical ones: survey, participant observation and document.